Inspiration
Rooted in Hindu spirituality, each of the five clocks in this collection reflects a sacred element of the divine. The first is inspired by the iconic phrase “Main Samay hoon” from the epic Mahabharata, which planted the seed for this project in my childhood imagination. From there, the series unfolds through symbols and deities that have guided and grounded generations through the sacred resonance of Om, the transformative stillness of Shiva, the fierce grace of Durga, and the auspicious presence of Ganesha.
This project became more than just art—it became a meditation on time, faith, and memory. Each clock is a quiet homage to the stories and symbols that shaped my spiritual identity and continues to inspire my creative path.
Main Samay Hu – The Voice of Eternal Time
As a child growing up in India in the 1990s, Sunday mornings were sacred in their own right—our living room transformed into a temple of stories as Mahabharata aired on television. But it wasn’t just the epic battles or the divine characters that stayed with me. It was the first phrase uttered in a deep, resonant voice: "Main Samay hoon." I am Time.
That opening line became more than an introduction. It became an imprint. The idea that Time wasn’t merely a measure of seconds or hours—but a witness, a force, a narrator of all things past, present, and future—deeply moved me. Decades later, that voice found its way back into my consciousness, guiding my hands as I carved the first clock in this series.
This piece is not just a device to tell time—it is Time. Its design is intentionally stark, almost elemental, inspired by the circularity of the wheel of dharma and the stillness of eternity. Every grain in the wood feels like it holds a story, just as Time holds all stories.
I named this clock “Samay” because it honors that timeless narrator who watches silently as the world spins through its joys, its struggles, its dharma. This piece is my tribute to memory, to mythology, and to the unseen witness within us all.
The Flight to Om – Where Spirit Meets Sky
If Samay was the voice of eternal time, the second clock in this series is its breath.
At the heart of this piece lies the sacred symbol Om—the primordial sound, the vibration that began the universe. To me, Om is not just heard in chants or rituals; it is felt in the rustle of leaves, in a heartbeat, in silence. It is a frequency that binds all living things, and I wanted to express that connection through nature.
Two hand-carved tree branches frame the symbol, reaching inward like protectors or seekers. Their curves are organic, asymmetrical, and intentional—mirroring the way nature embraces the sacred without confinement. And then, suspended in motion, is a single blue jay, wings outstretched as it flies toward the branches. The bird represents the soul in motion—curious, free, and drawn instinctively toward balance and belonging.
Choosing the blue jay wasn’t just about its beauty; it’s a bird known for its intelligence and fearlessness. In this design, it becomes a kind of messenger, carrying spiritual instinct toward a deeper awareness, bridging sky and spirit. This clock, titled The Flight to Om, is my invitation to pause and listen, not just to what ticks, but to what sings.
The Stillness of Ganesha – Guardian of the Moment
Ganesha, the remover of obstacles, is often invoked at the beginning of new journeys—but in this clock, he doesn’t stride forward or wield his strength. Instead, he sits eyes closed. Hands resting in calm mudra. The entire clock face becomes a temple of silence, with Ganesha at the heart of it, radiating peace.
I chose to depict him in a meditative pose to remind us that presence is power. Time moves constantly around him—hours, minutes, seconds—but he remains centered. In a world that urges movement, this clock offers a different kind of blessing, the permission to pause.
The curves of the wood follow the softness of Ganesha’s form, and the natural textures evoke the groundedness of earth and spirit. Every moment this clock marks is an invitation to breathe, to reflect, to meet the day with both wisdom and grace.
The Rise of Shakti – Durga in Motion
When Ganesha brings stillness, Durga brings momentum—an unstoppable tide of protection, courage, and divine feminine power. In crafting this clock, I wanted to channel not just her image, but her force—the presence known in the scriptures as Shakti.
Shakti is the primal energy that animates the universe. She is not a part of creation—she is creation. And Durga, astride her lion and wielding her many weapons, is one of its most awe-inspiring forms. But this clock doesn’t portray battle or victory—it captures the moment before. The breath of resolve. The quiet fury. The sacred readiness to rise.
Every line in the wood radiates outward like energy in motion, as if time itself is gathering strength. There’s fire in her eyes, yet serenity in her stance—a reminder that real power is grounded in stillness and clarity of purpose.
I named this piece The Rise of Shakti because it marks every hour with resolve. It’s a tribute to the battles we all face, and the inner fire we call upon to face them.
The Gaze of Mahadev – Time Beyond Time
The final clock in this series needed no embellishment, no story, no movement—only a face. The unmistakable presence of Shiva.
Centered entirely around the serene yet piercing gaze of Mahadev, this piece invites the viewer not to track time, but to dissolve into it.
His eyes, open yet inward, hold a depth that defies measurement—mirroring the meditative stillness of the yogi and the vastness of the cosmic void. The flowing Jata (matted locks), the sacred Naag (serpent), and the crescent moon etched into his crown—all come together to speak of wildness tamed by wisdom, chaos embraced by calm.
Unlike the other clocks in the series, this one doesn’t just mark time—it eclipses it. I titled it Time Beyond Time, because Shiva, the destroyer and the ascetic, represents the ultimate release: the end of attachment, the peace that comes when we let go.
With this final piece, I wanted to close the circle. From the voice that declared “Main Samay Hoon” to the form that dissolves the concept of time altogether.
Epilogue – Time as Offering
These five clocks began as a quiet impulse—a memory, a phrase, an image—and became something far greater than the sum of wood and metal. Each one carries a vibration: of myth, of meditation, of motion, of silence. Together, they form a constellation of belief and being—a timeline not of events, but of essence.
From Samay to Mahadev, this series is a reflection of what time means in a spiritual sense: not just a measure, but a message. Not just passing, but presence.
Whether you're drawn to the wisdom of Ganesha, the ferocity of Durga, the stillness of Shiva, or the universal pulse of Om, I hope these pieces offer a moment of pause—a space where craft meets contemplation.
Thank you for joining me on this journey. If you’d like to see the full collection, learn more about each piece, or bring one into your own sacred space, please reach out to me (Email:contact@kreativeshaft.com, WhatsApp:+1-267-693-6852)
About Me
I am a hobbyist wood artist with a deep reverence for both tradition and transformation. Born and raised in India and now based in the United States, my work bridges cultural memory with contemporary craft—carving stories from timber that speak to spirit, identity, and time itself.
Guided by the textures of nature and the philosophies of Hindu spirituality, I approach each piece not just as an object, but as an offering. My process is meditative, intuitive, and often deeply personal; rooted in childhood recollections, sacred symbols, and the timeless pull of mythology.
Whether I am sculpting the flowing "Jata" of Shiva or framing the sacred syllable Om in branches and birdsong, my work invites stillness. It asks us to look beyond the physical and into the meaning beneath—where art becomes ritual, and time becomes presence.
This series of five spiritual wall clocks is his most intimate work to date: a handmade invocation of time, divinity, and devotion.
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